Friday, 11 August 2017
Sunday, 6 August 2017
Hiroshi Sugimoto
References
En.wikipedia.org <http://en.wikipedia.org>. (2017). Hiroshi Sugimoto. [online] Available at: https://en.wikipedia.org/wiki/Hiroshi_Sugimoto [Accessed 6 Aug. 2017].
Guggenheim.org <http://guggenheim.org>. (2017). [online] Available at: https://www.guggenheim.org/artwork/artist/Hiroshi-Sugimoto [Accessed 6 Aug. 2017].
Hiroshi Sugimoto. (2017). home. [online] Available at: https://www.sugimotohiroshi.com/ [Accessed 6 Aug. 2017].
Monday, 26 June 2017
Friday, 30 September 2016
Eduard Burtynsky
Bibliography
Tuesday, 27 September 2016
assignment 2 - collecting
Some people gathered before the match, had a drink and a chat before getting into the stadium, excited about the new season.
The photo is composed so the focused branches of the tree in the foreground are framed by the clear sky. The unfocused background does not allow to see the people, but once you realise the colour theme is yellow you can link the photo with the others.
The photography reflects the style shown by Kim Kirkpatrick or Gianluca Cosci, where shallow depth of field focuses the viewer's attention in the, initially, less relevant foreground, while the background is still part of the composition.
2
The lads from the junior squad wont miss a match. They go all equipped with their training kit. Here they are by the stadium shop window.
We don't have this information when we see the image, but it is critical for the series, as the tattoo in one of the boy's calf is the first reference to football, linking theme of the pictures.
The photography is again inspired partially in my research for the assignment, see image by Elliot Erwitt.
3
We are now in the stadium, and the match has begun. This image uses again shallow depth of field to focus in the spectators, which was my main interest.
In terms of composition, it is to notice that the subject has been framed following the rule of thirds.
4
The camera man is framed with the tier roof as background. Camera, roof lines and subject attention are all focused to the same line, which gives the image a sense of equilibrium.
In the distance we can see the junior squad, standing on the upper tier.
5
It is half time, and some supporters stretch their limbs.
A deeper depth of field allows to see even a player in the field with his son.
6
In the second half tension builds up in the match and some supporters stand up. I find interesting in this image the repeated action by several spectators. This would somewhat remind to some of Lisa Larsen's images of crowds, where we can appreciate how crowds use very similar body language. This has been photographed many other times, and in football probably the best example would be the epic Premier League photo of the last decade by Phil Noble.
7
Thursday, 22 September 2016
assignment 2 - collecting - planning
El Rastro - assignment 4 - Digital Film Production http://warmerthanhere.blogspot.com.es/2015/10/assignment-4-constructing-narrative.html
Wednesday, 14 September 2016
assignment 2 - collecting - research
Bibliography
Alex Prager captures the face in the crowd | photography | agenda (no date) Available at: http://es.phaidon.com/agenda/photography/articles/2014/january/24/alex-prager-captures-the-face-in-the-crowd/ (Accessed: 14 September 2016).
Badger, G. (2014) The genius of photography: How photography has changed our lives. London: Quadrille Publishing.
Erwitt, E., Sayle, M. and Flowers, C. (2003) Elliott Erwitt snaps. London: Phaidon Press.
Ronk, L. (2013) Lisa Larsen’s curiously intimate crowd photos. Available at: http://time.com/3876852/life-photographer-lisa-larsens-curiously-intimate-pictures-of-crowds/ (Accessed: 14 September 2016).













































